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Because ‘in death as in life, he is the embodiment of jazz’ 1899 – 1974 Just as soul music and Motown provided the aspirational soundtrack for the 1960s civil rights movement, swing music furnished the upwardly-mobile score for the mid-1900s Harlem Renaissance. And of all the formidable bandleaders of the era, Edward “Duke” Ellington towered over the competition like a musical Everest. Where Count Basie, Benny Goodman and competing bandleaders favored high-stepping songs with hard-swinging arrangements, Ellington tunes such as “I Got It Bad (And That Ain’t Good),” “In a Sentimental Mood,” and “Black and Tan Fantasy” seem mysterious by...